[…] Baylón, as Cartier-Bresson would do — following in turn Eugen Herrigel’s text Zen in the Art of Archery — describes himself as an archer. Just as the archer, even when drawing the bowstring to its fullest, embraces the totality of the universe, the photographer masters, in the instant before the shot, both the outside of the camera and his own inner world, which cease to be opposites and are transmuted into a single reality. […]

Eva Fernández del Campo